Showing posts with label Black History. Show all posts
Showing posts with label Black History. Show all posts

Friday, February 6, 2015

HAUTE FRIDAY: Diana Ross!




 
The Diva of all Divas, Ms. Diana Ross has always been an icon for me and will forever be the Black Icon for all women. Her style, class, sophistication, work ethic and poise is just some of the many things that her so beautiful in my eyes. She is my inspiration and definitely how I'm feeling on this Friday...with that said, I hope you all have a wonderful weekend! XOXO
 
*bows out gracefully*

Tuesday, February 3, 2015

SPEAK ON IT: Black is Beautiful!

Hello everyone & Happy February! I know I've been a little MIA from posting but January was a SPIRAL beyond my imagination and now that I am able to think clearly, I can fully dedicate my time and energy into blogging. I cannot believe how quickly the first month of 2015 flew by, as you may all know February is black history month (and fashion week &  my birthday *cover eyes*) so I've been watching a few shows highlighting black history lately so I'm taking a fashion pause (because there are real issues in the world) to discuss a very important issue that has been weighing very heavily on my heart for the past few weeks. After watching OWN's documentary Dark Girls & Light Girls about two weeks ago, I couldn't stop thinking about how important it is recognize that being beautiful isn't based solely on a shade of color. It isn't based on just the physical attributes of a person but it's based on the contents of one's character and the beauty that comes from within...that is what makes someone beautiful. My concern for the black community when it comes to defining what beauty really is has intensified as I've seen such a divide within my own race I can no longer remain mum about the topic. This is my vision, my story, my opinion and my what make's black beautiful.   


 
Ever since I was a little girl my family would always tell me how beautiful I am and how important it was to be proud of who I am. I thank them for constantly showering me with love because it truly boosted my self-esteem because not only was a little brown girl with foreign parents but I was skinnier than the girls in most of my classes and struggled with my own complex of not being "totally American" at times. Their reinforcement that it was okay to be different and that my different was beautiful really shaped the person I am today and for that I thank them. All through out middle school, high school and even college (I went to a predominantly white university with a black community) I never really had to defend or discuss my skin complexion until a few years ago. Being considered dark skin never bothered me until a guy randomly approached me while I was out with my girlfriend and told me "you are beautiful for a dark skin girl"....I mean WTF?!? I've never heard this before and I didn't know how to respond but to nod and walk away feeling less than beautiful. It was a moment that opened my eyes to a race issue within my own black community that I never experienced before. It crushed me that a guy could say that to a woman of my skin complexion and think it was okay. It enraged me that he didn't just say that I was beautiful but that he had to define my beauty based on my melon.


 
Since that moment I noticed that men would refer to me "chocolate" (which I love snickers!) or "my dark skin sister" opposed to calling me by my name. I noticed how men would address my girlfriends of a lighter complexion as "beautiful" and I was confused. Why was this happening? When did this start? Was I not beautiful? Why weren't light skin girls considered "sisters"? I've noticed men talk negatively and degrade one complexion or another on social media which heightened my own frustration. So as perplexing and disheartening this was for me I decided to boost my own self-confidence in ways I knew how....PRAYER! I prayed for men that disregarded black women with my skin complexion and hoping that someday someone would just recognize my beauty opposed to me being a light or dark skinned women. We all check the same box (black/African American) so it really annoyed me that after all these years of fighting for race equality that we would divide over complexion. I've mentioned this issue with my girlfriends in the past and we always come to the same conclusion "light skin doesn't equate to beauty and dark skin doesn't equate to ugly", beauty shines from within and there's no way a particular complexion can define what is beautiful.  
 

 
I think there is something so beautiful in a woman's confidence and who she is as person that a skin complexion should never define her beauty. As women we struggle enough with being "enough" in a real world. We all have insecurities and complexes that surpass our own understanding at times that it's so important to feel beautiful. Being Black is a beautiful entity within itself, to think their are so many shades of black women is intriguing alone. No shade or complexion is the accurate description of what beauty truly is, as a race we need to come together to uplift women because after all they are the fierce human beings that brought us into this world...without them where would we be? I challenge you to tell people how beautiful they are without using their physical attributes and see how much your perspective shifts (beauty shines from the heart first).  
 



February is all about LOVE, lets try to spread love to beautiful women in your life because they need it more than you know. Actress, Lupita Nyong'o said it best "What is fundamentally beautiful is compassion for yourself and for those around you. That kind of beauty enflames the heart and enchants the soul. There is no shame in Black beauty".  

Wednesday, August 28, 2013

50 Years Ago...

 
 
Today we commerate 50 years ago when Martin Luther King, Jr. stood on the steps at the Lincoln Memorial and delivered one of the most beautiful speeches in history. He changed the face of American and fought for freedom. Today is such a special day and I'm proud to be an African American woman that has the right to vote, sit, stand, ride and say what I want. I thank him for all he has done and hope that we as a people are making his DREAM come true.
 
Check out the his speech below 50 years ago today:
 



And still tears comes to my eyes whenever I hear this speech. Powerful indeed! Rest peacefully Dr. King. WE have a dream....

Tuesday, February 5, 2013

BLACK HISTORY FACT: Kerry Washington 1st Black Woman in 35 years to Star in Primetime Series

VIA: BID
 
Congratulations to Kerry Washington as she won an NAACP Award over the weekend and looked pretty fabulous in a Oscar de la Renta Spring 2013 gown, paired with Christian Louboutin pumps and Kotur clutch. February marks Black History Month and today I pay tribute to one of my role models, Kerry Washington. She is the first African American women in two generations to star in a hit prime time series show. Check out the tribute to her below as well as her amazing speech.
 
 
 
She is phenomenal, she is aspiring, she is grace, she is.....BLACK HISTORY.
 
 


Friday, February 1, 2013

Dear February....


How dope is this jacket?

Oh hi Rihanna!

Her nails are SICK. (I totally stole her look, lol).

I adore this entire outfit! INSPIRED.
 

 
...just me!
 

 
 
Any questions?
 
 


 
Happy February Guys!
 
It's my FAVORITE month of the year.....love, fashion week (well month), black history month, mini-vacay and of course MY BIRTHDAY. I'm head of heels in LOVE with February. I hope everyone has a great weekend, don't forget to catch Beyonce during half-time at the Superbowl.
 
*bows out gracefully*  
 
 

Tuesday, October 9, 2012

FASHION NEWS: Teen Vogue's New Beauty & Health Director, Elaine Welteroth

image via: tumblr
Congrats to Elaine Welteroth as she will officially begin her new position as Teen Vogue’s new Beauty & Health director on October 15th. I'm super excited and proud of the African-American Editor rise happening right now, women of color rock! It was only a few weeks ago when we told you about Keija Minor becoming the first African-American Editor-In-Chief for Conde Nast, Brides Magazine. Elaine is one lucky woman and I must say that although I usually get the "adult" Vogue, I'll be sure to pick a Teen Vogue magazine to support Elaine's new position, this is major.

In a brief interview she did with Fashionista.com made me fall more in love with my passion, check my favorite questions & responses below:

Fashionista.com: You’re about to start a lot of people’s dream jobs. How does one land such an amazing job? Why did you decide to take it?


"It’s all about preparation meeting the opportunity at the right time. I couldn’t step into this role with the confidence I have if I hadn’t been the intern slugging away or the editor who had to pull a ton of late nights. My mentor always said: “work like you’re making millions, even if you’re making pennies.” It’s worth it when you love it. And I had the chance to learn from some really talented people who have taught me a lot. So, this next step is sort of the culmination of a lot of work, great mentorship, and perfect timing. It’s an incredible opportunity, so saying yes was a no-brainer."


Fashionista.com: Your appointment comes at an exciting time as Keija Minor recently became Condé Nast’s first black EIC. She mentioned that she’s noticed more people of color moving up the ranks in publishing. Is that something you’ve noticed? Do you think there needs to be more diversity in the industry?

"The Brides announcement has been really inspiring for a lot of people, including me. I’m so thrilled for Keija! I think the goal should always be to find the right person for the job, and skin color should never be a barrier to that. We live in a multi-cultural world, so embracing diversity is important in every industry. As it related to publishing, I think magazines really benefit from having a staff with a range of different perspectives and cultural references so that any reader can feel like there is someone on the masthead they can relate to, someone they can trust to speak up for them. It’s great to see that idea being embraced more and more."


***

How about that for your morning cup of inspiration?! Loves it. Congrats again to Elaine, I'm eager to see what she's got up her sleeves for Teen Vogue!

Thursday, September 27, 2012

FASHION NEWS: Condé Nast has named its First Black Editor-in-Chief, Keija Minor for Brides Magazine


Congrats to Keija Minor for a remarkable and ground breaking achievement! Earlier this week, Huffington Post announced that Kieja would head up Condé Nast Publications (CNP) magazine, Brides. She is the first black Editor-In-Chief in CNP history! This is a MAJOR deal as CNP has owned and produced 18 magazines including Vogue, Glamour, Vanity Fair and GQ, since 1909.You do the math....if you're a little delayed with the subtraction/addition, that's 103 years that no black or woman of color has been editor has ever been named Editor-In-Chief. Congrats to Keija, I'm proud!

Monday, February 27, 2012

VINTAGE PHOTOS: Diana Ross in NYC, Cicra 1968


Diana Ross is one of my favorite Style icons and I recently discovered this picture of her taken by photographer Jack Robinson at the world's famous Grand Central Station in New York, during the summer of 1968. This was around the time Ms. Ross was beginning her solo career, how great does she look? Totally loving this picture fore more reasons than one.

Thursday, February 23, 2012

Thursday, February 9, 2012

BLACK HISTORY FASHION SPOTLIGHT: Designer, Willi Smith


"I don't design clothes for the Queen, but for the people who wave at her as she goes by," said one of the most successful designers in fashion history, Willi Smith. He was a successful African American designer who after training at the prestigious Parsons School of Design started his own company WilliWear in 1976, which consisted of easy and comfortable clothing in drapey silhouettes in a rainbow of colors and prints. The Philadelphia native introduced the world to a more loose fitting style of casual jeans which became an 80's staple. He had an unique eye for mixing prints and hues when it came to styling and dressing. Willi's "street couture" aesthetic made him a fan favorite and style maven for aspiring fashion designers.


During the late 1980s WilliWear was racking in $25 million and was a great accomplishment for him. He won prestigious accolades including a Coty American Fashion Critic Award for women's fashion in 1983 and a Cutty Sark Menswear Award in 1985. Director Spike Lee asked Willi to be the designer for his new movie "School Daze" and Edwin A. Schlossberg also recruited him to design a navy blue linen suit for his wedding to Caroline Kennedy in 1987. Even after Willi Smith's untimely passing his creative and influential approach to design has made an irreplaceable mark on fashion and style. We will be forever missed and remembered for all he has done for the world of fashion.

Thursday, February 2, 2012

BLACK HISTORY FASHION SPOTLIGHT: Josephine Baker, Style Icon


The American entertainer and Christian Dior Muse, Josephine Baker is a Style Icon! Known as the "Black Pearl" she made a miniskirt of artificial bananas look unbelievably sexy in Paris circa 1925. Her pizazz and confidence was clearly seen in her effortless style. Her favorite on-stage accessory was a live pet cheetah wearing a diamond collar. How fancy is that? LOL. Josephine Baker is a Style Icon who continues to influence generations of stylistas and cultural historians. Read more about the Style Icon, below:

"Born in St. Louis Missouri in 1906, Baker left the United States in her late teens and became an overnight sensation in Paris after she performed on stage in the “savage dance”. Immediately after the semi-nude performance she appeared in an after-hours club in a gorgeous designer gown. Soon thereafter she was captured by artists, writers and photographers and was reputed to be the most photographed woman of her time. She was a woman that others wanted to imitate because her confidence and her beautiful dark complexion. Josephine Baker also influenced a hairstyle called the Eton Crop which was named after the way she wore her hair. The style was perfect for the cloche hat that was made popular by Josephine and still fashionable today. In the twenties Baker’s image was used to promote a hair pomade called Bakerfix which she created and a suntan lotion called Valaez cream, “so others could have a complexion just like Josephine”. Women admired Josephine Baker because of her confidence and fashion sense. According to an account in Ms. Baker’s adopted son, Jean Claude Baker’s book the Hungry Heart, even Marilyn Monroe was said to have dreamed of going to Paris to become a woman of culture and sophistication under Josephine’s tutelage.” Josephine Baker wore clothes created by the greatest fashion designers of the period, including Paul Poiret, Balenciaga, Chanel and Dior to name a few. One of her favorite passions was to wear matching clothing all the way down to her shoes which were dyed to match her ensemble. Long before Kimora Lee Simmons began collecting Louis Vuitton luggage, Josephine Baker was given hat boxes, shoeboxes, glove boxes, and multiple pieces of luggage all made for her by Louis Vuitton himself."
.......Couldn't have said it better! 

Wednesday, February 1, 2012

BLACK HISTORY FASHION SPOTLIGHT: Ann Lowe "The Best Kept Secret"


Happy Black History Month!

February means sooooo much to me for a variety of reasons, one being a month dedicated to the history of my ancestry. With that said, as we've done in the past, throughout the month we will feature Black Designers, Models, Entrepreneurs and Fashionable trailblazers that have paved the way in the fashion industry! Today we spotlight the talented Ann Lowe who was one of the first African American female designers that started designing gowns in the 1920s. One of Ann Lowe’s most famous gowns was the ivory silk taffeta wedding gown for Jackie Bouvier (above right) when she married John F. Kennedy in 1953.

She was born in Alabama in 1898, and was the daughter and granddaughter of celebrated seamstresses who were known for sewing for the first ladies of Alabama. Although her mother passed away when she was16, she took it upon herself to finish the needlework for the governor’s wife. Ann enrolled in S.T. Taylor Design School in New York where she focused on her natural God given craft of designing. Soon after she moved to Tampa, Fla., where she opened a small studio there, then returned to New York where she worked as a commissioned designer for major houses in the Fashion District.
Sadly enough, the fashion houses took all of Ann's credit but that did not deter her from becoming an independent designer to society’s elite, such as the du Ponts, Roosevelts, Vanderbilts, Rockefellers, and notably, she designed and made the gown actress Olivia de Haviland wore when she received her Oscar for “To Each His Own.”

Michael Henry Adams said, “Ann Lowe was known as society’s best kept secret…You would have thought her clothing was Parisian couture, but she charged much less to create the same thing. They all went to her for their debutante balls and weddings.” Anne Lowe’s claim to fame, was the wedding gown she designed for Jacqueline Bouvier in 1953, when she married John F. Kennedy. She also designed 10 pink bridesmaid’s gowns and hats for the wedding (Hello, she's AMAZING!). Although newspapers raved about the wedding and John F. Kennedy's political career the social fashion editor of the Washington Post at the time, stated “… the dress was designed by a Negro, Ann Lowe.” Where's the LOVE?!

The infamous dress consisted of 50 yards of ivory silk taffeta, with a full bouffant skirt had interwoven tucking bands and tiny wax flowers and took Ann two months to make. In 1962, her New York salon was seized by the IRS while she was undergoing eye surgery to remove. When she was released from the hospital, she learned that her debt had been paid by an anonymous benefactor (PRAISE HIM)! Ann then opened a store inside Saks Fifth Ave, then her own salon, Anne Lowe Originals, on Madison Ave while making over 2,000 dresses for New York’s elite society. She was awarded the 'Couturier of the Year Plaque' and appeared in the 'National Social Directory' and the 1968 Who’s Who of American Women. The Alabama seamtress' detailed needle technique, is featured at the New York Metropolitan Museum of Art, Washington D.C.’s Black Fashion Museum, and the Smithsonian. At the age of 83 years old Ms. Ann Lowe passed away. In 1997, the John F. Kennedy Library & Museum had the Textile Conservation Center of the American Textile History Museum in Massachusetts to restore the Kennedy gown.

Monday, February 28, 2011

Black History in Fashion: Zelda Wynn Valdes



Zelda Wynn Valdes, was a fashion and costume designer that dressed Black Beauties from Dorothy Dandridge to Marian Anderson, Ella Fitzgerald, and even famed singer Gladys Knight. Valdes was also the owner of the first Black business on Broadway in NYC back in the 1940′s. She got her start by making patterns out of newsprint, studying her grandmother’s seamstress, and working in her uncle’s tailoring shop. Zelda’s work was catching to all the right eyes including Hollywood and even Hugh Hefner. Zelda designed the first Playboy Bunny uniforms (WOWZERS)! She also designed the uniforms for the Dance Theater of Harlem.  And she created the National Association of Fashion and Accessory Designers! Zelda Wynn Valdes is definitely legendary and I'm very proud to say she represented for Black Women breaking into the Fashion Industry. 

images & info via: Sparkleshock.com 


Thursday, February 24, 2011

Black History in Fashion: Tyson Beckford


Born Tyson Craig Beckford on December 19, 1971, in New York, the catwalk star had no plans to be a model as he grew up in Jamaica and the Big Apple. In fact, his exotic eyes and high cheekbones – a fascinating combination resulting from his Jamaican-Panamanian-Chinese heritage – drew ridicule from his schoolmates.

The man who would become one of People magazine's Most Beautiful People was barely out of his teens when his striking looks caught the eye of the editor of hip hop magazine The Source in 1991. Within two years the 6ft 2in hunk had a starring role in Ralph Lauren's Polo Sport fragrance campaign.


Before long, Tyson – who sports at least eight tattoos on his chiseled bod – was featured on the covers of dozens of magazines, had posed for top photographers Herb Ritts and Bruce Weber, and was as named VH1's 1995 Model Of The Year. He was also praised by style icons such as Ralph Lauren who cited his "all-American look with a dramatic edge", saying: "He conveys power, style and intelligence in a very exciting way."

However, as a forerunner in his field, Tyson's path hasn't always been smooth. He once turned down a spot on the coveted Milan Fashion Week catwalk because he was the only black man invited to the event. "There are so many African-American and African men who are trying to get jobs, and they weren't giving the jobs to them," he said at the time. "I'm not the only brother out here trying to make it. So I didn't go."

via: MostBeautifulMan.com

 Black History FACT: Tyson Beckford is the first black male supermodel and is also the highest paid male supermodel of ALL time! 

Thursday, February 17, 2011

Black History in Fashion: Pat Cleveland


In 1967, the future Catwalk Queen was stopped by a Vogue editor while en route to Manhattan's LaGuardia Performing Arts School--and three years later, she was living in Paris and setting the fashion world ablaze. The black/Cherokee/Irish stunner danced all night at La Palace, inspired the likes of Halston, Steven Burrows and Yves Saint Laurent, and set the standard for runway walking with her ethereal dance-prance. Legendary strut aside, Cleveland signature feature was her glorious, free-flowing halo of hair (she's referred to her mane as her "flying carpet"). via: Essence.com

 "I always say if you have a dream and you love it, make it come true, in fashion it's how you dress, diamond collars, bracelets or stilettos. Whatever appeals to your fashion sense. If you can get it, it can be like one of the five senses, it is for me...live it, use it, enjoy it, let it be you."


She's by far one of the most inspirational models of her time, Pat is a great role model for aspiring models!

Check out her interview and get a sneak peek of what it like to be BLACK in the Fashion industry...

Monday, February 14, 2011

Black History in Fashion: Roshumba Williams

via: Roshumba.com

Roshumba began her modeling career in 1987, she left her family home in Peoria Illinois for Paris France with $150 and a dream to become one of the world’s top models.  Upon arriving in Paris she pounded the pavement for two days and found an agent who immediately sent her to see fashion designer Yves Saint Laurent.   Mr. Saint Laurent originally hired Roshumba to be a fit model but he was so impressed by her talent he put her on the runway in his haute couture fashion show.  The exposure led to other high profile runway assignments with world famous designers Christian Dior, Chanel, Versace, Armani, Michael Kors, Carmen Marc Valvo and others.

Roshumba’s fresh natural beauty drew the attention of many magazine editors that led to her gracing the pages and covers of Vogue, Elle, Harpers Bazaar, Essence and Cosmopolitan.   Covergirl, Maybelline, Clairol and Hanes Hoisery featured Roshumba in multiple advertisements.

What took Roshumba from being just another model to a household name were her five appearances in the infamous Sports Illustrated Swimsuit Edition.  She proved to be such a favorite among the magazine’s readers, Sports Illustrated inducted her into their Swimsuit Hall Of Fame along with Tyra Banks and Heidi Klum.


Roshumba worked as a top model for over a decade. During her world travels to high profile modeling assignments she discovered that there were no books on the market the shared industry secrets from an insider’s point-of-view.  Her first book The Complete Idiots Guide To Being A Model was released in 1999.  It’s a step by step, how to guide book that provides in-depth insight into the modeling world.  The first book was such a success, Roshumba released the second edition in 2007.

Roshumba is dedicated to helping those less fortunate, her charities include, The Elizabeth Glaser Pediatric Aids Foundation and The Revlon Breast Cancer Awareness initiatives.

For more information visit: http://www.roshumba.com/

Friday, February 11, 2011

Black History in Fashion: Patrick Kelly


Patrick Kelly, Born in Vicksburg, Mississippi on September 24, 1954, is well known for his innovative form fitting dresses, embellished with multicolored buttons and bows.  In his adult years, Kelly followed his heart and moved to Atlanta where he sold re-engineered used clothes while working without pay for the Yves Saint Laurent Rive Gauche Boutique. He later relocated to the New York where he briefly attended the acclaimed Parsons School of Design.   A close friend and model Pat Cleveland soon suggested to Kelly that he should move to Paris and so Kelly picked up his “being black, being different, being weird” and went off to Paris to start his career.



Kelly’s career commenced with the selling of dresses on the streets of Paris while working as a costumer for a nightclub, Le Palais.  As his work became more recognizable, he signed a designing contract with Warnaco.  Kelly eventually moved into high-end stores such as Henri Bendel, Bergdorf Goodman and Bloomingdale. The year 1985, marked Kelly’s officially entry into the Paris fashion limelight as his striking ready-to-wear women’s collection helped him become a key figure in the fashion scene throughout the world. Kelly’s garments adorned the bodices of many celebrities including actress Cicely Tyson, vocalist Grace Jones, Bette Davis, and Josephine Baker. Although Kelly had a great sense of styling fashion, his own personal anti-fashion “uniform” did not reflect his talent as he was often critiqued for his own wardrobe.  Kelly was always seen in enormous custom-made denim overalls, with a biker’s cap, bright colored high top sneakers, and cotton turtlenecks.  But in the end what he wore didn’t seem to matter so long as what he designed continued to be in high demand.

The first American to become a member of the governing body of the prestigious French ready-to-wear industry, the Chambre Syndicale du Prêt-à-Porter, Kelly created many flamboyant garments that celebrated his southern roots and complimented his vibrant personality. The exhibit includes a small room of collectibles, and samples of Kelly’s works including a long sleeve, ankle length stretch wool dress adorned with colorful buttons throughout; and another beautiful metallic silver stretch cloque with black, white, and silver mask ornaments.  A larger room captures the essence of Patrick Kelly, filled with his signature pieces, each one different yet captivating the same amount of attention.  From handkerchief halter dresses, to scarf dresses, it all makes you feel as if you were being introduced to the essence and vibrant spirit of Patrick Kelly.
It is very apparent that Patrick Kelly acknowledged the racial stereotypes that existed during his lifetime. He incorporated controversial “black” images in his work and had an immense collection of thousands of items of black memorabilia. Kelly created a playful inversion of racial stereotypes that is very apparent through his signature golliwog logo, collectible shopping bags, posters, advertisements and other items on display. A major part of Kelly’s collection, includes an assortment of black dolls: Aunt Jemimas, Barbie’s, and Cabbage Patches. Kelly started collecting black dolls because as a young boy, he never recalled having seen any black dolls. A lady once walked up to him as he was passing through an airport carrying a Black doll in the early 1980’s and asked about the doll. She then continued to explain that her daughter would never want a doll like that and Kelly replied, “In this day and time if your daughter would throw away a Black doll, and she’s Black, there is something wrong.” Kelly also had a signature souvenir of black face baby-doll pins that were given to friends and handed out at his shows.

His designs have and will continue to influence fashion and inspire many others for years to come.  He is a true pioneer of fashion and will immortally remain an inspiration for young designers of today and tomorrow. 

Check out this video of Patrick Kelly: http://watch.fashiontelevision.com/flashback/clip98603#clip98603

via: Black Fashion Designers